As exael puts it, “Another way I use TRAKTOR is to throw some stems/riffs/ideas from unfinished recordings and try to mix them together. It reminds me of a lot of extreme computer music stuff that I listen to.”Ī great technique to harness TRAKTOR’s four decks, is to load up individual stems or jam elements into each one, and just go for it. “It totally messes with the pitch in a weird way. “I processed a drum break using Auto Bouncer for my track ‘ Optimism Over Despair‘”, he adds. The Reverb is super creamy and warm as well.”įor Konx-om-Pax, effects are a great means to play with rhythm in the track. “I really like the Ring Mod and Flanger effects, they’re nicely made and make things sound more metallic without sounding too cheesy. “The Reverse Grain can yield some pretty trippy results, and I’ve been playing a bit more with the Beat Smasher recently.” But there’s also room for subtlety with some of the more airy effects. It’s a sort of DJ set with one’s own stems.”Įxael’s method is to really get in there and mangle the sound. It’s very important to have all four channels in use. “I definitely change the FX chain and make full use of the four channel advanced view, allowing me use of pitch, EQ, and volume for each deck. While in the studio, TRAKTOR’s flexible effects units and customizable user interface help Huerco S. “Pitching the track up or down, focusing on such small portions of the longer piece through the use of looping you can emancipate these sections, giving them new life.” I find it to be easier to find loops this way and you can really hone in on something interesting very quickly.” He also explains that messing with the sound garners interesting results. “I usually start by recording longer form jams, improv stuff from hardware into Audacity, or something like that, then take said jam and throw it into TRAKTOR. “Over the years I have had two different setups, one being FL Studio, the other being an assortment of hardware I use and then edit in TRAKTOR.” he says. records jam sessions in a more traditional manner, and then uses TRAKTOR to hunt for elements to build and layer the track further. House and ambient electronica producer Huerco S. TRAKTOR is better to capture those spur of the moment ideas to record as sketches.” Sometimes I find a loop that sounds great in real-time which wouldn’t happen in Live because of the non-instant playback. “I mainly use it to test out how my tracks mix with other people’s music. Like exael, DJ and visual artist Konx-om-Pax also uses TRAKTOR to sketch and jam with, to discover how elements of the music might fit together. “I use Traktor to get a real-time feel for how long certain elements should repeat or when I should bring in a new element, something that isn’t always easy with Renoise.” “I’ve been using Traktor on and off as a production tool since about 2015, after both Shy and Brian had mentioned they’d been using it to construct tracks and add effects,” says exael.įor Berlin-based exael, TRAKTOR allows the producer to create a more organic aesthetic to their ambient-experimental techno, both through experimentation and testing out track structure. TRAKTOR’s spontaneity and ease of use makes it ideal for quickly dipping in and out of, with instant results when using up to four banks of three effects chains.Įxael, Konx-om-Pax, and Huerco S. are part of a community that have incorporated TRAKTOR into their production workflow, from sketching out ideas, to running the track through final effects processing, and learning from each as they progress. It makes sense that forward-thinking producers have experimented with using TRAKTOR as part of their studio setup, not just for playing music, but for processing audio and manipulating sound. Much of TRAKTOR‘s evolution, including the library of DJ effects, powerful syncing capabilities, and user interface, came from a knowledge gained thanks to all of the products made by Native Instruments. In DJ technology terms, TRAKTOR has had a long history of innovation, born of a pedigree that included successful audio production tools such as REAKTOR, and audio effects plug-ins such as GUITAR RIG, as well as others.
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